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Many
visitors to large museums find it difficult to remain oriented
after wandering through a few galleries. They often carry a map,
but once they've lost a sense of their current position, the map
is no longer useful for useful local way-finding and trip-planning.
Touch Graphics' proposal for a new kind of musuem guide combines
cheap, disposable maps with discreet, fixed-position map-reader
and display pedestals. A visitor places his translucent map onto
the illuminated tray of the reader; the map includes a radio tag
that allows the pedestal to "recognize" the visitor;
once identified, the pedestal displays a large, bright "You
are Here" marker, and shows a path from one's current position
to one's desired destination. Maps could be customized for each
reader either before coming, or on-site at a simple kiosk in the
museum lobby. Accessible information, including customized tactile
graphic maps and large print maps, would be provided for visitors
with special needs. This
idea demonstrates principals of Universal Design, which teaches
that information should be presented in multiple formats. It's
a low-cost way to improve the usefulness of carry-maps, which
museum visitors are already comfortable using, by adding changing
content and user-centered orientation help.
The
images shown here illustrate a proposal for an installation of
a map/kiosk network at the Metropolitan Museum of Art in New York
City. The proposed system is not currently under consideration
for installation at the Met, and these images, including the Met
logo, were created by Touch Graphics, Inc. without consultation
with staff at the Met.
A
photo montage showing a map reader pedestal installed in a museum
gallery. In our proposal, these pedestals, which would need
to be plugged into a power receptacle, would be placed in each
gallery and major public space. They could be accessed by any
musuem visitor, both those with and without a carry-map.
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One
of the kiosk pedestals. The unit includes an up-facing LCD panel
inside a frame that has the capability of detecting a visitor's
finger position. The visitor sees both the printing on the carryable
map, and images displayed on the LCD panel, which shines through
the map's translucent film. Images could include streaming media,
and links to the institution's web site could be made, to allow
for in-depth study of an artwork of special interest.

A sample
print/video hybrid image as it would appear when a visitor places
a carry-map onto the pedestal's up-facing display in the Greek
and Roman Gallery at the Met.
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